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Closely Watched Films: An Introduction to the Art of Narrative Film Technique, by Marilyn Fabe
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How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to Spike Lee's Do the Right Thing, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium.
Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality.
- Sales Rank: #871610 in Books
- Published on: 2004-08-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .75" w x 6.00" l, 1.27 pounds
- Binding: Paperback
- 297 pages
From Publishers Weekly
Why exactly was Citizen Kane such a revolutionary film? What are the hallmarks of Italian Neorealism? How do directors sew together a smooth scene from five or six different shots? Fabe answers these questions and more in this primer on the narrative structure of filmmaking, which analyzes 14 benchmark movies from D.W. Griffith’s The Birth of a Nation to Mike Figgis’s Timecode. (Since each film was selected to represent a significant cinematic movement—expressionism, postmodernism, French New Wave, etc.—the book also doubles as a concise history of film’s most innovative storytellers.) Fabe teaches film theory at the University of California, Berkeley, and her chapters maintain the conversational feel of lecture notes: each one gives some background on and a plot synopsis of the film discussed then provides a close analysis of a particular sequence. Antonio Ricci’s decision to steal in De Sica’s The Bicycle Thief, for example, is broken down to show how moral conflict can be encapsulated in a split second. Fabe’s analysis proves most engaging when it shows how each cinematic element works to add subtext and depth to story and character. Her explication of Hitchcock’s camera work in Notorious, for example, shows how his use of space in a frame could evoke either freedom or claustrophobia. Fabe’s book is best suited for the classroom, but even general readers may enjoy her insights, which allow one to read a chapter, pop in the corresponding DVD and experience the satisfaction of knowing how a classic film was put together. 74 b/w photos.
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Review
"Writing in a clear prose that is nevertheless based on a complex awareness of film history, criticism, and technique, Fabe takes us through the diverse film strategies of exemplary classic directors who have significantly shaped the history of film and made it into a potent cultural force." - Claire Kahane, author of Passions of the Voice; "I am deeply impressed by this book and in awe of its scope. It imparts its wisdom about film with such seeming effortlessness, illuminating the ways that films work. It is an extremely informed book and an extraordinary achievement." - Madelon Sprengnether, author of Crying at the Movies; "Fabe approaches her material in an original and stimulating manner. The writing is fluid and down to earth, yet also addresses relevant issues." - Tim Shively, De Anza College; "In Closely Watched Films revered film teacher Marilyn Fabe brings to life on the page the many lessons proffered in her legendary courses." - Linda Williams, University of California, Berkeley"
From the Inside Flap
"In Closely Watched Films revered Film teacher Marilyn Fabe brings to life on the page the many lessons proffered in her legendary courses at U.C. Berkeley, in which she has taught successive generations of film students the art, and the magic, of film."—Linda Williams, Director of Film Studies, University of California, Berkeley
"I am deeply impressed by this book, and in awe of its scope. It imparts its wisdom about film with such seeming effortlessness, illuminating the ways that films work. Closely Watched Films is very lucidly and smoothly crafted, and Fabe writes with astonishing ease about a group of very complex and heterogeneous films. It is a extremely informed book and an extraordinary achievement."—Madelon Sprengnether, University of Minnesota, author of Crying at the Movies
"Fills a real need, educating the literate moviegoer into an awareness of how film works. Writing in a clear prose that is nevertheless based on a complex awareness of film history, criticism, and technique, Fabe takes us through the diverse film strategies of exemplary classic directors who have significantly shaped the history of film and made it into a potent cultural force. At the same time, she provocatively elaborates the political and aesthetic concerns of a number of contemporary films to indicate the new directions in today's motion pictures."—Claire Kahane, SUNY-Buffalo, author of Passions of the Voice: Hysteria, Narrative, and the Figure of the speaking Woman, 1850-1915
"This text fills a real niche--the scholarship is superior, and Fabe approaches her material in an original and stimulating manner. The writing is fluid and down to earth, yet also addresses relevant issues."—Tim Shively, De Anza College
Most helpful customer reviews
8 of 8 people found the following review helpful.
Fascinating look at film genres and how they work, for filmlovers or teachers
By G. Dix
Whether you are a teacher looking for an exciting way to interest you students in why certain stories have such an impact on us, or merely a movie goer who wants to broaden his knowledge of film genres and, discover, as the author says, "the vast possibilities of the film medium," you'll be fascinated by this book. Book groups can also read a chapter for every meeting, watch the film and enjoy great discussions that the book stimulates.
Marilyn Fabe, an experienced teacher of film at the Universitiy of California, Berkeley, has picked wonderfully captivating, classic films that represent each genre. She explains the genre, the director's personal passion that drove him to make this film and the historical context of the each film. But then, in part because each film she has chosen helped move film making forward in some important way or represents new techniques, she takes us on a closer, scene by scene tour of key parts of each film. The combination of breadth and specificty help raise intriguing questions about how filmmakers and story tellers work their magic on us.
For teachers this book is an entire course in a box. All you have to do is show these great films, have students read the book and your class will have fascinating issues to discuss. For book groups who want to watch these films together after they've read each chapter, this book will provoke great discussions.
But this book also takes ordinary filmgoers on an enlightening tour through the scope and history of film making, not in some abstract purely theoretical way, but by examing each wonderful film closely. The fun is you get to watch the films and snoop behind the scenes to catch a glimpse of how these great films get you so worked up. But the other benefit is that by broadening your context and understanding of films, this book will probably help you enjoy the movies you see even more. It did for me. It's a really great read that's also an ideal reason to go back and look at some classic films you may have seen, as well as discover a lot of great ones you might have missed. For school teachers, book groups and everyone else, there's lots of eye-opening enjoyment in reading this book and in seeing its films - what a delight.
4 of 4 people found the following review helpful.
Engaging overview of cinema art essentials
By Kindle Customer
I have been searching for a text for an Intro to Motion Pictures class and this might be it. I have dozens of other texts which are usually expensive and which attempt to cover everything. This text restrains its focus and in doing so becomes very useful to new readers about cinema. It has a great blend of comment about major theories coupled with specific examples from films. The "key event" structure spans the silent years to Mike Figgis and Timecode. There are many books which might be in a comprehensive film library, but if you are looking for an insightful guided tour of cinema art, I would choose Closely Watched Films.
5 of 5 people found the following review helpful.
It's all in the details
By Filmgoer
I have read numerous books on film history and theory, but none more readible and accessible than this. What makes Closely Watched Films special, however, is its reliance throughout on the close analysis of single film sequences to illustrate and test the validity of historical points and theoretical assertions. Visual and aural details go by fast when you are watching a film. We are barely conscious of much that we see and hear. But, as Fabe demonstrates, in great films, much of the power comes from the scarcely noticed details, the result of countless artistic decisions, that nonetheless effect us as we sit in the dark. "Close analysis," she writes, "unlocks the secrets of how film images, combined with sound, can have such a profound effect on our minds and emotions." So, the author says, let's slow things down -- thank goodness for the remote -- and really look at what we see and hear in order to answer some important questions about how films tell stories and what makes great filmmaking. Closely Watched Films deepened my appreciation of film, increased my respect for filmmakers, and, with its many examples of close analysis of film sequences, gave me a model for doing my own analysis of movies I want to understand better. It's a wonderful book.
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